Newtown Creek: Brooklyn Shores


February 23, 2011 -

In winter, the Brooklyn shores of the Newtown Creek are a desolate industrial wasteland. Large swaths of shoreline sit empty, dead zones with toxic chemicals beneath. Scrap yards, gas refineries and truck depots line the streets. Sidewalks are covered in icy mounds of debris, hibernating in the snow, waiting for a thaw to rot. Near a shiny new sewage treatment plant, a lonely memorial is strapped to tree trunk. Cars missing doors sit under bridges. Dirt roads, electric fences, barbed wire and graffiti are prevalent.

Gaining access to the waters of the Newtown Creek can be difficult on the Brooklyn side. A new boat launch and a nature walk are located near the creek's mouth, but the remaining length of the waterway is closed off by heavy industry. Security guards shout at pedestrians who walk too close to the water, while large signs warn "No Trespassing" towards the creek. It is not until the very end of the Newtown Creek that the waterfront is easily accessible once again. At this frozen terminus, train tracks travel over bruised, dark black waters.

The Newtown Creek was declared a Superfund Site in 2010 by the Environmental Protection Agency, which described it as "one of the nation’s most polluted waterways." The creek is home to one of the United States largest oil spills. Despite this, several year round residents live on its banks. An active homeless camp is situated on a dead-end spur of the waterway. Nearby, residents live aboard the "urban pirate" ferry boat. Life clings stubbornly to the edges of the water, even in the harshest conditions.

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For other photo essays from the Newtown Creek, visit Secret Parties (2009), The Dutch Kills (2008) and Linden Hill Tracks (2007).


No Toque



National Grid Wasteland



Empty Streets



"Low Rate"



Scrap Metal



Frozen Waters



"The Sh!t T!ts"



Truck Stop



Under the Bridge




Dead End



Discards



Memorial



Cash Money - Top Dollar



Sand Gravel



"I'm Losing It"



Train Track Terminus



Creek's End

Coney Island - Abandoned Playland


January 31, 2011 -

There are few places in New York City as depressing and inspirational as Coney Island in the off season. Freezing winds whip up from the Atlantic Ocean, driving snow across the empty beaches and boardwalk. A handful of pedestrians brave the elements, hunkered down into fur parkas in a scene more reminiscent of a frozen Siberian outpost. Nearly every business in Coney Island's amusement district closes for the winter season, shutters pulled down over arcades, bars and seafood shacks. Even the homeless camps under the boardwalk are vacated.

This year, Coney Island's off season has been particularly harsh. Many well-known businesses are not expected to reopen in the summer. Cha Cha's and Ruby's have served their last drinks and have, in turn, been served with eviction papers. Demolition crews are busy tearing down landmarks like the Bank of Coney Island. And in December 2010, Shoot The Freak was destroyed in a surprise attack by its landlord. “They came like thieves in the night,” the booth's owner told The Brooklyn Paper. “Those little sneaks emptied out the place and there is nothing left, except for the Shoot the Freak sign.” The cyclical nature of destruction and rebirth in Coney Island is currently in a valley of annihilation, as the city moves towards a sanitized version of the boardwalk.

Perhaps the best remaining symbol of how Coney Island's colorful past is being left behind is the Playland Arcade. Built in 1935, it "evolved from a Silver's Penny Arcade and remained open year-round until 1981," according to Forgotten New York. The arcade once faced the legendary Thunderbolt roller coaster, which was famed for the 1895 hotel located beneath its tracks. The Thunderbolt and the Kensington Hotel were torn down in November 2000, during another off season "surprise attack," according to The Journal of New York Folklore, demolished by the city to make way for "waterfront development plans for a new, more profitable Coney Island."

Thunderbolt and Kensington Hotel (2000)

Today, the Playland Arcade faces a broad empty field and has been abandoned for many years. Inside the arcade, an army of raccoons and cats has taken over. If not for the freezing winter weather, the stench of their urine would be overwhelming. Hundreds of empty cat food containers litter the floor. Large sections of ceiling have come down, allowing rain and snow to rot the interior. Collapsing walls are propped up by police barricades. Trees grow in the squalor.

Lining the walls of this forlorn structure is an impressive artifact from Coney Island's history, in the form of dozens of hand painted murals. Though badly deteriorated, there are many colorful scenes remaining. Presented almost as panels in a comic book, these are portraits of a different Coney Island era, long past. Strip poker, naked hunting, shotgun weddings, Sasquatch, moonshine, skeeball, mermaids and cartoonish gun violence. This is Coney Island's lost soul, a forgotten and crumbling old arcade full of cat piss, ruinous decay and dark carnival whimsy.

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For other photo essays from Coney Island's off-season, visit The Freak's Domain (2008) and Under The Boardwalk (2009).



Inside Playland



Playland of the Mind



Collapse



Naked Hunting



Dark Murals



Shoot



Disco Ball



Carnival Prize



Rules of the Game



"Be Happy, Stay and Have Fun"



Strip Poker



Arcade Tree



Cat Food



"More Fun"



The Playland Arcade

Sunset Park: 68th Police Precinct


January 25, 2011 -

A ruined 19th century police station looms over the Brooklyn neighborhood of Sunset Park. Facing the busy traffic of 4th avenue, its windows are tightly boarded up and its facade is wrapped in protective scaffolding. Abandoned since the 1970's, this is the "68th Police Precinct Station House and Stable," according to a NYC Landmarks Preservation Commission report, "a handsome and imposing civic ensemble" designed in 1886 by Emile Gruwe, who created a "powerfully massed Romanesque Revival" building with Venetian elements and Byzantine influences. The building opened on March 8th, 1892, according to the NY Times, and served as "the castlelike stationhouse of the old 18th Police Precinct" of the Brooklyn Department of Police. On opening day, the Brooklyn Police Commissioner stated "a man about to commit a crime would stand appalled at the sight of a stationhouse such as this."

Today the station house is in poor condition. Its exterior still retains many evocative architectural elements, however the interior has been almost completely destroyed by fire and decay. Snow sifts through large holes in the roof. The upper floors have collapsed, while lower floors are missing, warped or dangerously unstable. Feral cats and pigeons roam the hollow space. A squatter's mattress rots in a dark corner. In several pitch-black back rooms, sealed off from the sunlight, hundreds of handprints climb the walls.

When landmarked in 1983, the station house and stables had already "been vacant since the mid-197os," according to the NYC Landmarks Commission, and a 1980 fire had gutted much of the precinct building's interior. Shortly after receiving landmark status, the buildings were sold to the Sunset Park School of Music for $15,000, according to the NY Times, and in 1988, the music school received a $67,500 grant "for exterior restoration and interior renovation... for offices, teaching and performance space," according to the NY Times. More then 20 years later, there are few signs of progress on this renovation. Instead, a stop work order has been placed on the property for a variety of safety violations, and the station house has been placed on the New York Landmarks Conservancy list of "at risk" historic structures that are deteriorated and endangered. Without prompt attention, this neglected landmark may soon crumble away and vanish, despite being within plain view of thousands of daily passersby.

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For more photo essays from Brooklyn's Sunset Park please visit Bush Terminal (2007), the Brooklyn Army Terminal (2008), the South Brooklyn Marine Terminal (2009), Empire Electric (2009) and S & S Machinery (2010).


Pigeon Entrance


Arch Entrance


Stable Arch



In the Stables



Brick and Desk



Door and Mattress



Sports Clinic



2nd Floor Collapse



Interior Ruin



Collapsed Arch



Backroom



Handprints



Chicky

The Bloomberg Era, Part Two

The Bloomberg Era, Part Two:
Forced Change
December 31, 2010 - At the beginning of the second decade of the 21st century, this multi-part photo essay examines how New York City's built environment has changed over the past 10 years, and what the future of New York's skyline might be. Part one of this essay can be seen here.

On January 1st 2010, Michael Bloomberg was sworn into office for a nearly unprecedented third term as the Mayor of New York City. Bloomberg, the 23rd richest person in the world, is only the fourth mayor in the city's history to serve a third term in office, and accomplished that goal by running "the most expensive self-financed political campaign in U.S. history," according to the Huffington Post. During his tenure, Mayor Bloomberg has "amassed so much power and respect that he seems more a Medici than a mayor," according to The New Yorker. He has used his power and wealth to enact an agenda of post-9/11 development that has radically changed the city's landscape. As described in part one of this photo essay, "not since Robert Moses has a single individual presided over such a large-scale transformation of New York City's built environment."

Like Robert Moses, the legendary Power Broker, Mayor Bloomberg currently exerts a stranglehold of power over New York City. In 2009, New York Magazine bluntly declared "Mike Bloomberg owns this town," and "in the past seven years Michael Bloomberg has become the only powerful figure in New York who really matters.... The mayor is not a dictator... but Bloomberg gets what he wants more than any mayor in modern memory." Also like Robert Moses, who was called New York's Master Builder, much of Mayor Bloomberg's work has focused on constructing a new version of the city. In 2009, Bloomberg drew comparisons between his accomplishments and Robert Moses', telling The New Yorker that "we’ve done more in the last seven years than—I don’t know if it’s fair to say more than Moses did, but I hope history will show the things we did made a lot more sense." Unfortunately, the parallels between Bloomberg and Moses also include the use of controversial methods to force development projects through, often at the expense of New York's unique fabric of small neighborhoods.


The Bloomberg Era (2009)


One of the most controversial tools Mayor Bloomberg has utilized in his quest to transform New York City is eminent domain, a practice whereby the state seizes private property to clear the way for an impending development meant for civic and public improvement. This was a favorite tool of Robert Moses, "who rammed highways through dense urban neighborhoods with a 'meat-ax' and became the un­stoppable engine of 'slum clearance'," according to Metropolis Magazine. Moses' methods were often vilified, but he created the infrastructure for present day New York City, building highways, bridges, tunnels, parks and institutional landmarks like the Lincoln Center and the United Nations that have been freely used by countless millions of people. Michael Bloomberg, on the other hand, has approved the use of eminent domain for private development projects that include luxury residences and retail shops, college campus facilities and a sports arena. When completed, none of these developments will be open to the general public. They include several neighborhoods documented on this website: Willets Point (aka The Iron Triangle), Manhattanville and the Atlantic Yards.


The Atlantic Yards (2006)


The Atlantic Yards development in Brooklyn is the best known example of the Bloomberg administration's use of eminent domain. Announced in 2003, this project threatened residents and business owners in Prospect Heights with property seizure to make way for a basketball arena and several luxury residential towers. Years of court battles and street protests delayed the plan, which was critically examined in the award winning documentary films Brooklyn Boondoggle (2009) and Brooklyn Matters (2007).

This year, however, the Atlantic Yards project cleared most of the major hurdles in its path. In April 2010, the last residential holdout in the development footprint cut a $3 million deal to move out, and in August 2010 Freddy's Bar and Backroom - a hub for neighborhood protests and a local institution dating back to the prohibition era - was completely demolished, although not before being immortalized by the documentary Freddy's (2010). Construction for the arena is now underway, but with the current recession the entire project may take as long as 25 years to complete, placing an immense strain on a neighborhood now blighted by empty lots where homes once stood.


No Forced Displacement (2008)


In the upper west side neighborhood of Manhattanville, eminent domain has been used as a threat to force independent business owners out of a mostly industrial area. Seventeen acres, including Cuban restaurants, storage warehouses and gas stations, were declared blighted by the city in order to clear the land for a $7 billion extension of Columbia University's campus. After several years of legal battles, this year the New York Court of Appeals upheld the use of eminent domain in the neighborhood, according to the NY Times, with a June 2010 ruling that "cited a decision in a similar eminent-domain case last year involving the Atlantic Yards development in Brooklyn." Using questionable logic, the judges declared that "if we could rule in favor of a basketball arena, surely we could rule for a nonprofit university." In December 2010, the United States Supreme Court refused to hear an appeal of the decision, and "work is expected to start next month on the first building at the new campus," according to the NY Times.

In the Shadow of Citi Field (2008)

In the Iron Triangle, otherwise known as Willets Point, eminent domain has been used to scare business owners out of a bustling car-repair neighborhood which employs over a thousand people. Long neglected by the city government, Willets Point is laced with flooded dirt roads that sit in the shadow of Citi Field, the new Mets stadium. Mayor Bloomberg's administration hopes to demolish the neighborhood's businesses and replace them with a $3 billion development including luxury hotels, residences and retail shops. After years of protest, this year the NY Times reported that the city controlled roughly 80 percent of the land needed for the first stage of development, but "opponents included a Willets Point homeowner, 18 businesses and a group formed to fight the project."


Lake Willets (2008)


Eminent domain may be the most controversial weapon of change in Bloomberg's arsenal, but his most effective tool for transformation has been rezoning neighborhoods. "Zoning shapes the city," according to the Department of City Planning. "Zoning determines the size and use of buildings, where they are located and, in large measure, the densities of the city’s diverse neighborhoods. Along with the city's power to budget, tax, and condemn property, zoning is a key tool for carrying out planning policy."

By 2009, Mayor Bloomberg had instituted 100 zoning changes throughout the city, creating a map of new uses for city neighborhoods stretching from the South Bronx to The Rockaways. "Sections in all the boroughs were rezoned to boost their development potential," according to the NY Times, a rezoning equal to about 8,400 blocks or "one-fifth of the city" which is "the most extensive rezoning in modern city history." In 2009, The New York Observer stated that "zoning reform of the type we have had in New York City these past eight years typically has a profound and long lasting impact on the physical contours of the city. There is little doubt... that the impact of this visionary zoning reform will be felt in New York for decades to come."


The Desertification of Brooklyn (2010)


Zoning changes instituted by Bloomberg's Department of City Planning have already significantly altered the landscape of the city. The 2005 rezoning of Greenpoint and Williamsburg, for example, allowed large portions of Brooklyn's historic industrial waterfront to be transformed into new residential towers. A wave of luxury housing swept through these neighborhoods, before being crippled by the recession, which has left the area scarred with empty fields and abandoned construction sites. The same boom and bust has affected other neighborhoods rezoned for development, including Harlem and Gowanus.

In the past decade, every neighborhood in New York City has seen new residential towers built. "Across the city, residential construction doubled under Mr. Bloomberg, to more than 30,000 units a year from 2004 through 2008," according to a 2009 NY Times assessment. "Construction spending has also doubled since he took office, reaching a high of $32 billion in 2008" However, after the development bubble burst in 2008, every neighborhood in New York City has been blighted with empty lots and abandoned buildings. Bloomberg's ambitious rezoning and pro-development policies have led to widespread Bloomblight in the form of hundreds of stalled construction projects throughout the five boroughs.


Demolition on the Waterfront (2008)


The Department of City Planning states that their rezoning work is focused on preserving New York City's diversity. "New York City’s neighborhoods are its greatest treasures," writes Amanda Burden, the DCP commissioner. "Our innovative use of zoning is making a real difference in our neighborhoods, providing for new jobs and housing opportunities and ensuring the diversity and vibrancy that makes ours the most unique city in the world." A recent report by NYU somewhat agreed, finding that "in an era of unprecedented rezoning across New York City... the vast majority of the changes preserved neighborhoods the way they were, protecting them from denser or out-of-scale development," according to the NY Times.

However, the last decade has seen many New York City neighborhoods become less diverse and less vibrant. The 2010 census found that "New York's black and hispanic areas [have] become more white," according to the NY Times, "as blacks, Latinos, Asians and immigrants surge into the suburbs." Meanwhile, the city has lost much of its vibrant street life due to city policies. More than twelve percent of the city's small businesses closed in 2009 as small business loans "plummeted," according to City Limits. "Owners complain about... rezoning and redevelopment initiatives that favor larger retailers over small stores or residential over commercial uses."


The Glass Invasion (2009)


At the same time, new construction spurred by Bloomberg's policies has changed New York's traditional architecture of brownstones and brick. The city has been overtaken by "The Glass Stampede," according to New York Magazine. "New York is shucking off its aging walk-ups, its small and mildewed structures, its drafty warehouses, cramped stores, and idle factories. In their place, the city is sprouting a hard, glistening new shell of glass and steel." Glass towers have not only invaded the rezoned Brooklyn waterfront, they have infiltrated the skyline of historically low-rise neighborhoods like the East Village and the Lower East Side, replaced bungalows in Brighton Beach and The Rockaways, and soared over formerly industrial neighborhoods like Long Island City and the Meat Packing District. The dominant theme in New York architecture over the last decade could largely be summarized in a few words: taller, with more glass.

Lower East Side Tower (2009)


East Village Tower (2009)


Far Rockaway Tower (2009)


Unlike Robert Moses, Mayor Bloomberg does not appear to have a grand overview for the transformation of New York City. Instead, his administration has relied on private developers and zoning changes to allow change to happen. "Real planning is not something New York City has ever done," according to a 2011 article in City Limits. "Other major cities have drafted comprehensive plans that linked land development to transit improvements and government services. But New York has always relied on zoning, which creates rules for what the private market can build, rather than planning."

At the end of 2010, many of the major development projects started under Mayor Bloomberg's administration remain unfinished. "Who knows how long it will take before Mayor Bloomberg's legacy-making checklist—Hudson Yards, Moynihan Station, the World Trade Center, Coney Island and Willets Point—even show significant progress, let alone get completed," Curbed wrote back in 2008. "Perhaps during a third term?" The future of these projects and many others remains uncertain.


Coney Island Development (2008)


In the past decade, opposition to many of Robert Moses' controversial projects has mellowed, especially after a major retrospective in 2007 that reevaluated his contributions to the city. In years to come, how will the public evaluate Bloomberg's contributions to the city skyline? Will New Yorkers embrace the hundreds of luxury condominiums which have been constructed? It remains to be seen what Michael Bloomberg's final legacy will be, however the NY Times summed up the feelings of many New Yorker's in a 2010 editorial written for his third inauguration: "The next time some bigwig wants a stadium or a fat new zoning change, the mayor should take care to demand more parks and public facilities as part of the deal. The bottom line for any development should be that it helps out more than the developer’s bottom line."


Iron Triangle Warning (2007)